Drunken horses, 2017

2017, offset Print, 2 spot colours, format 115 /155

For Le Bel Ordinaire -contemporary art center of Pau-Pyrénées, and in partnership with Espaces Pluriels -dance scene, who presented the installation-performance - Jocelyn Cottencin and Emmanuelle Huynh imagined an exhibition that is built from active archives of A Taxi Driver, an Architect and the High Line. The initial images, the rushes, the notations become a set of words, documents and connections which draw the geography of this project and extend it in a paper edition.
In Drunken Horses book, the actions, the performances, the dialogues, the lyrics of the songs from the original installation-performance are transformed into a narrative punctuated by didascals, out of fields of the scenes, the situations and the meetings.

Excerpts≥

Exhibition at Le Bel Ordinaire